Momix: Lunar Sea  

Thursday, January 24, 2008   7:30 pm
Merrill Auditorium, Portland, Maine

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Bodies glow in the dark and vanish back into it. Otherworldly creatures walk, swim, sit, and float on the air. Known internationally for their works of exceptional inventiveness and beauty, Momix is a company of dancer-illusionists who create surrealistic images using light, shadow, music, costumes, props, humor and eye-popping movement imbued with extraordinary athleticism. One of the company’s newest and most acclaimed works, Lunar Sea is an extraterrestrial spectacle featuring phosphorescent dancers who appear to defy gravity as if dancing on the moon.

$42 $38 $30 – students $15
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PCA Offstage presents…

Celtic Origins

Wednesday, October 17, 2007   6 pm
Merrill Auditorium Rehearsal Hall
FREE

Dr. Richard Nickerson, choral conductor of the Boy Singers of Maine and the award-winning Windham Chamber Singers, discusses the evolution of contemporary Celtic music.

Port City Rhyme Supply: writing and performing poetry, spoken word, and hip-hop

Saturdays, October 27 and November 3, 2007   12–1:30 pm
The Telling Room, Commercial Street, Portland

Led by Gibson Fay-LeBlanc. If you’ve ever imagined yourself wowing an audience with your words and rhymes, this workshop is for you. We’ll focus on writing and performing pieces in the long tradition from Shakespeare to Jay-Z and Longfellow to Linkin Park with an eye toward the Mayhem Poets’ visit to Portland on November 16–17. Grades 8–12.

Grace, Guts, and Tragedy

Thursday, November 1, 2007   6 pm
Merrill Auditorium Rehearsal Hall
FREE

Conductor, music director, and Executive Director of the Portland Conservatory of Music Dr. Dierdre McClure provides insights into one of opera’s most tragic heroines.

Masterclass with Matt Haimovitz

Wednesday, November 7, 2007   3–5 pm
USM School of Music, Gorham
$6 to observe · call USM at 207.780.5555

An innovative, exciting cellist whose musical tastes run from classical to rock works with area strings students to prepare their concert repertoire.

Renegate Cellist

Thursday, November 8, 2007   5:30 pm
Hannaford Hall, USM, Portland, Maine
FREE

Robert Lehmann, director of string studies for the USM School of Music, speaks about the evening’s performance. Matt Haimovitz will be present.

The Roots of an American Musical Form

Wednesday, November 14, 2007   6 pm
Merrill Auditorium Rehearsal Hall
FREE

Blues expert Bob Caswell discusses the cultures that have created the genre, from old-time gospel and blues harmonica to New Orleans jazz.

Verbal Mayhem

Friday, November 17, 2007   4 pm
The Telling Room, Commercial Street, Portland
Fee dependent on class size

Performance ensemble Mayhem Poets brings a hip-hop beat to poetry, taking participants through a workshop that hones skills in enunciation, improvisation, wordplay, connection with an audience, and use of creativity and imagination. Sourcing Longfellow’s legacy, Mayhem Poets coach students to find connections between their brand of poetry and the essence of Portland’s hometown poet.

Celtic Christmas in Maine

Tuesday, December 4, 2007   6 pm
Merrill Auditorium Rehearsal Hall
FREE

Beautiful melodies are the hallmark of the season. Castlebay has been musically weaving together the timeless traditions of Maine’s nautical legacy and its British Isles heritage since 1987. Julia Lane and Fred Gosbee, the Castlebay duo share their passion for Celtic music and instruments: Celtic harp, twelve-string guitar, fiddle, flute, and whistles.

A Journey to the Moon’s Lunar Seas

Tuesday, January 22, 2008   7:30 pm
Southworth Planetarium, USM, Portland, Maine
FREE with a Momix ticket or USM student ID
(otherwise $5 adults   $4 students and seniors)

Join Dr. Jerry LaSala, professor of physics and astronomy and director of the Southworth Planetarium, for an interdisciplinary exploration of the moonscape, looking at the heavens as an age-old inspiration for “lunatics,? artists, and scientists, featuring atmospheric music. Read the script here.

Meet Momix

Thursday, January 24, 2008   immediately following the performance
Merrill Auditorium, Portland, Maine
FREE to attendees of Momix

Your opportunity to meet the dancer-illusionists of Momix (and see them in street clothes and regular lighting). After the January 24 performance, stick around for a moment and come down to the front of the auditorium, near the stage. You'll have the opportunity to ask a few questions and to hear the dancers talk about what it's like to be a part of this innovative company.

Dance Masterclass with a Momix Member

Friday, January 25, 2008   10–11:30 am
Portland Arts and Technology High School (PATHS)
$20 class fee   $10 audit fee if space allows

For intermediate dancers, this class includes a warm-up, repertory phrases, and guided improvisation. Bring physicality and a sense of humor and prepare for an adventure! Space is limited and early registration is advised. Print out this flyer and registration form or call 207.773.3150 x227 for details.

Portland Public Library Book Discussion Series #1

Monday, January 28, 2008   10–11:30 am
Portland Public Library

Dr. Michael Bachem, a professor emeritus of humanities, speaks on the history and background of Moby Dick. To register for the series, contact the PPL at 207.871.1700 x759 or download the flyer for more information.

Passionate about the Piano

Wednesday, February 6, 2008   6 pm
Merrill Auditorium Green Room
FREE

Dr. David Ober discusses Ingrid Fliter, the first female to win the prestigious Gilmore Artist Award, for an enlightening view of this fiery Argentine’s program and how musicians are chosen for the coveted award.

Portland Public Library Book Discussion Series #2

Monday, February 11, 2008   10–11:30 am
Portland Public Library

Dr. Michael Bachem speaks on approaches to reading Moby Dick. To register for the series, contact the PPL at 207.871.1700 x759 or download the flyer for more information.

Masterclass with Limón Dance Company

Tuesday, February 26, 2008   2–4 pm
Download the flyer and registration form
Portland Arts and Technology High School (PATHS)
$20 class fee   $10 audit fee if space allows

Rich in dynamics, expression and musicality, the Limón Dance Company celebrates sixty years. Learn the technique and repertory of the iconic, classic contemporary dance master José Limón from a Carla Maxwell, the company’s artistic director. For intermediate dancers. Download the flyer and registration form.

Limón: A Life Beyond Words

Wednesday, February 27, 2008   6–7 pm
Merrill Auditorium Rehearsal Hall
FREE

Learn about the celebrated dance maker, José Limón, through this award-winning and poetic documentary that offers a compelling look at the life and work of this revolutionary artist. Portland Ballet Company’s Vanessa Beyland will introduce Limón: A Life Beyond Words. Ms. Beyland is a graduate of NYU’s Tisch School of the Arts with a BFA in Dance. Prior to coming to Maine, she worked for the Limón Dance Company in New York.

From the Conductor’s Seat

Wednesday, March 5, 2008   6 pm
Merrill Auditorium Rehearsal Hall
FREE

Dr. Deirdre McClure follows her successful 2007 two-night lecture series, which provided audiences a view of opera from the conductor’s perspective. Find out how an opera conductor would prepare to conduct Tosca and La Traviata and learn more about musical motifs found in both operas.

Moby Dick and 19th Century American Culture

Thursday, March 6, 2008   7 pm
Maine Historical Society
FREE

Moby Dick is often described as the great American novel. Dr. Joseph Conforti surveys this monumental literary achievement that captures the energy, expansiveness, ferment, and moral contradictions of mid-ninteenth-century America.

Portland Public Library Book Discussion Series #3

Monday, March 10, 2008   10–11:30 am
Portland Public Library

Dr. Michael Bachem speaks on the reverberations of Moby Dick. To register for the series, contact the PPL at 207.871.1700 x759 or download the flyer for more information.

The Seaside Meets the Fireside: Longfellow as a Maritime Poet

Thursday, March 20, 2008   7 pm
Maine Historical Society
FREE

Longfellow spent a good deal of his life within sight of the sea. The poet’s biographer, Charles Calhoun, draws parallels between some of the Longfellow’s lesser-known poems and the paintings of Fitzhugh Lane and other American luminists.

Open Rehearsal with the Borromeo String Quartet and Composer Elliott Schwartz

Friday, March 21, 2008   3:15–3:45 pm
USM School of Music, Gorham
FREE and open to the public

Join us for this rare opportunity to witness the ensemble and composer as they come together for the first time to rehearse the new work composed by Mr. Schwartz and commissioned by PCA Great Performances.

Borromeo String Quartet Coaching Clinic

Friday, March 21, 2008   4–6 pm
USM School of Music, Gorham
$6 to observe   FREE to USM students and faculty

The BSQ coaches USM ensembles to prepare these young musicians for their Chamber Music America Awards recital in April. For reservations, please contact the USM School of Music Box Office at 207.780.5555.

Lifting Up Through Music

Sunday, March 30, 2008   2:30 pm
Merrill Auditorium State of Maine Room
FREE

Prior to the performance by Spirit of Uganda, learn more about the inspirational, unifying power of music and the role music plays in preserving culture with Dr. Richard Nickerson.

Pip’s Descent: Freedom and Terror in Moby Dick

Thursday, April 3, 2008   7 pm
Maine Historical Society
FREE

Lecture with Dr. Peter Coviello. Melville’s expansive novel is not just an archaic “big fish? story with Shakespearean overtones. Among its other challenges and rewards to twenty-first-century readers, Moby Dick asks us to consider the nature of American freedom and its sometimes frightening proximity to terror.

Storytelling Through Movement with Choreographer Ronald K. Brown

Tuesday, April 8, 2008
Sold out · $350 for a class of 25 or fewer
High school and college drama students

Known for his blend of African, modern, ballet and hip-hop to tell stories about what is important to the human experience choreographer Ron Brown shares his approach to storytelling through dance. Open to all levels, this unique workshop utilizes the universal language of the body to share and tell. Grades K–12.

Masterclass with an RKB/Evidence member

Wednesday, April 9, 2008   11 am–12:30 pm
Download the registration form
$20 class fee   $10 audit fee if space allows

Participate in this high-energy masterclass led by Arcell Cabuag, a member of Ronald K. Brown’s Evidence dance company. Arcell will probe the rhythms and moves of Africa, the Caribbean, and the streets of the US that inspire choreographer Ronald K. Brown’s signature vocabulary. For intermediate dancers.

Here Be the Whale: Leviathans, Whalemen and Our Seafaring Story

Sunday, April 13, 2008   2 pm
Portland Harbor Museum
FREE for Portland Harbor Museum members   $5 for non-members

Join maritime historian and author Bob Webb, former curator of the Maine Maritime Museum, for an introspective look into the history of humankind’s relationship with whales and their influence on our history. Beginning in the Bay of Biscay nearly a thousand years ago, he weaves an around-the-world literary and historical journey in search of this animal, whose oil fueled the development of the industrial age, and whose baleen and meat provided the stuff of fashion and sustenance. Learn more about the Portland Harbor Museum.

Fishing for Meaning in Melville and Welles

Tuesday, April 15, 2008   noon–1 pm
Portland Public Library
FREE

Brown bag lecture on Moby Dick Rehearsed with Dr. Michael Bachem.

From Page to Stage

Wednesday, April 16, 2008   6 pm
Merrill Auditorium Rehearsal Hall
FREE

Before the performance of Moby Dick Rehearsed, join a member of the Acting Company to discuss how they mount a play and how the actors prepare for their roles. Get an insider’s view into the process of performing this unique play.

Building a Character: workshop with the Acting Company

Thursday, April 17, 2008   10 am
Portland Arts and Technology High School (PATHS)
Sold out · $350 for a class of 25 or fewer
High school and college drama students

While in Portland for their performance of Moby Dick Rehearsed, the Acting Company shares its highly skilled approach to theater with the “Building a Character? workshop, highlighting physical awareness and the development of character through physicality. The class is an exploration of internal and external stimuli, and how an actor’s physical relationship to the environment can influence his emotional life from the outside in.

The Composer’s World: Puzzles, Menus, Maps, and Memory

Thursday, April 24, 2008   7–8:30 pm
Portland Conservatory of Music
At the Woodfords Congregational Church, Portland
FREE and open to the public

Join Maine composer Elliott Schwartz as he shares his observations about his creative process and discusses the newly commissioned String Quartet No 2, entitled For Louise and Aaron.

Statewide Residency with the Borromeo String Quartet

May 1–9, 2008
Click here for a full list of residency events

The exhilarating Borromeo String Quartet returns to celebrate and premiere a new work by Maine’s own Elliott Schwartz, commissioned by PCA Great Performances. Whether working with string orchestras, string quartets, or individual students of any age, members of the BSQ empower string players of all skill levels to play boldly and confidently, creating a positive environment for immediate improvement in skills. During this weeklong, statewide residency, there will be opportunities for string quartet masterclasses, coaching workshops, composing and music theory lectures, history of Western classical music lectures and demonstrations, and more. All skill levels.

Great Women in Political History

Saturday, May 3, 2008   5:30 pm
Merrill Auditorium State of Maine Room
FREE

Colby College Assistant Professor of Spanish and native Argentine Dr. Marisela Funes asks: How does the Broadway version of Eva Perón relate to the reality of her life and influence in Argentine politics? What is the importance of appearance vs. reality for women politicians in today’s race for political power?

Behind a World Premiere

Thursday, May 8, 2008   6 pm
Merrill Auditorium Green Room
FREE

Prior to the world premiere of the PCA-commissioned work by Maine’s Elliott Schwartz performed by the celebrated Borromeo String Quartet, Dr. Daniel Sonenberg interviews both composer and ensemble on the collaborative and creative process of bringing new work to life. As a composer and musician himself, Dr. Sonenberg has written extensively for chamber and orchestral ensembles, and has recently gained notice for his art songs and theater compositions.

Brahms, Bartók, Strauss, and a Stradivarius

Wednesday, May 14, 2008   6 pm
Merrill Auditorium Green Room
FREE

How does an artist choose his program? What are the interesting features of the pieces chosen? Join professor Rob Lehmann, director of string studies at the USM School of Music, for an illuminating overview of James Ehnes’ career and the historical and cultural background of his program.

Fairy-Tale Opera

Thursday, October 23, 2008   6–7 pm
Merrill Auditorium Rehearsal Hall
FREE

Prior to a 7:30 pm of Mozart’s final masterpiece, the opera The Magic Flute, Portland Conservatory of Music Executive Director and Conductor Dr. Deirdre McClure provides insight into this popular opera.

Horton and Dunham Techniques

Wednesday, November 12, 2008 7:00-8:30 pm

Third Floor Dance Studio
Portland Arts and Technology High School (PATHS)
$25 registration fee

Click here to download registration form



Philadanco trains its dancers in ballet, jazz, African, and tap using the Horton and Dunham techniques. Join a Philadanco company member for this investigation into the Horton Technique – which emphasizes a whole body approach including flexibility, strength, and coordination to allow freedom of expression – and the Dunham Technique, which merges polyrhythmic dance styles in continual motion. Open to intermediate dancers.

Dance Teacher Workshop with Philadanco

Thursday, November 13, 2008 11 am-12:30pm

Portland Ballet Company 517 Forest Avenue, Portland
Portland Ballet Company
$25 registration fee

Click here to download registration form

In this masterclass especially for dance instructors, participants investigate the technique, repertoire, and genres that inform Philadanco’s signature style. This is an excellent professional development opportunity for dance instructors from all dance genres looking to advance their craft in a peer setting. Open to dance instructors.

The African-American Dance Experience

Thursday, November 13, 2008   6–7 pm
Merrill Auditorium Green Room
FREE

From a grassroots, community-based performing arts organization to one of America’s foremost dance ensembles today, Philadanco exists as a model for emerging choreographers, dancers, and other dance companies with repertoire that blends African-American, ballet, jazz, and cutting-edge styles. In advance of the 7:30 pm performance, join Joan Myers Brown, founder and artistic director of Philadanco, for an overview of the evening’s program and the company’s commitment to honoring the spirit of African-American dance.

Piano Masterclass with Cédric Tiberghien

Monday, November 17, 2008 10 am-12:15 pm and 2-3:30 pm

at USM School of Music,Gorham, Corthell Hall

A very special opportunity for USM School of Music pianists, referred by their piano teachers, to improve technique and phrasing with this exciting European pianist. Open to observers. For more information please contact the USM School of Music Box Office at 207.780.5555.

A Frenchman in England

Wednesday, November 19, 2008   6–7 pm
Merrill Auditorium Green Room
FREE

Dr. Elliot Schwartz speaks about the great piano repertoire – including Brahms, Bartók, and Chopin – to be performed just afterwards, at the 7:30 pm recital by the renowned young French pianist Cédric Tiberghien.

Introduction

“We must never forget that art is not a form of propaganda; it is a form of truth.” – John F. Kennedy

Live art is a vital expression of the human experience and condition. PCA Great Performances believes that the understanding, appreciation and relevancy of the performing arts are enhanced through humanities-based lectures, meet-the-artist opportunities, and artistic residencies coupled with interactive or web-based resources linked to our community’s needs. Community outreach places artists and their art forms in historical, literary, cultural, aesthetic and social contexts. Through diverse activities, events, and suggested resources, it is our hope that our audiences of all ages and backgrounds will invite the arts and humanities into their lives, share their experiences with others, and make them a vehicle for life-long learning and exploration of the different cultural views of the arts.

The 2008-09 season offers two broad-based themes to connect performances:

{title} Traverser la Frontière



Traverser la Frontière focuses on our shared arts and cultural heritage with Canada. It looks at the different art forms that flourish in Canada and resonate with Mainers through their own Franco-American and Celtic heritages. PCA presents children’s puppet theater company Mermaid Theatre of Nova Scotia; Cape Breton fiddler Natalie MacMaster; chamber orchestra I Musici de Montréal; and dance company Les Ballets Jazz de Montréal. Ici, nous parlons français!

PCA is grateful to the government of Canada for providing funding support for the Traverser la Frontière series.

{title}Maine and Its Ties to Africa



Maine and Its Ties to Africa explores cultural influences brought to our state from a continent filled with diversity. The series explores how artists view their relationship with their African-American or African aesthetic and cultural influences. PCA presents the dance company Philadanco, the a cappella singers Sweet Honey in the Rock, composer-violinist Daniel Bernard Roumain, and Malian kora master and griot Toumani Diabaté.

PCA is grateful to the following for their funding support for the Maine and Its Ties to Africa community outreach activities: the Center for Cultural Exchange Foundation, the Davis Family Foundation, the Maine Arts Commission, the Maine Community Foundation, the Maine Humanities Council, the National Endowment for the Arts, the New England Foundation for the Arts’ “Expeditions” and “Meet the Composer” programs, and the Sam L. Cohen Foundation.

{title} Traverser la Frontière: Events and Activities

Voyages: The Maine Franco-American Experience

A Book Discussion Series

Tuesdays, February 10 and February 24, 2009 ▪ 10:30 am - 12 noon

PCA Great Performances collaborates with the Portland Public Library to present an in-depth book discussion series with Dr. Barry Rodrigue, associate professor of arts & humanities at the University of Southern Maine, and others with strong ties to Canada and the Franco-American experience. The discussion groups will use the text Voyages: A Maine Franco-American Reader, co-edited by Dr. Rodrigue.

Participants in the discussion series include the following:

February 10:

Grėgoire Chabot, playwright Raymond Luc Levasseur, activist Pat LaMarche, author and educator Michael Parent, storyteller, singer, and actor

February 24: Normand Beaupré, retired professor and author Rhea Côtė Robbins, professor and founder of the Franco-American Women’s Institute Kristin M. Langellier, professor and author Juliana L‘Heureux, journalist Cindy Larock, dance educator and Maine Arts Commission master artist

To download a PDF with complete details of this book discussion series and biographies of the participants, click here.



A limited number of student tickets for Traverser la Frontiėre performances are available to all book discussion participants. Traverser la Frontiėre performances include Natalie MacMaster, I Musici de Montréal, and Les Ballets Jazz de Montréal.

To register for the discussion groups, please contact Heather Tiffany at the Portland Public Library at 871-1700, x759.

{title}Maine and Its Ties to Africa: Events and Activities

Maine’s Visible Black History: A Book Discussion Series

Tuesdays mornings, November 18, December 2, and December 16 from 10:30 am to noon

Portland Public Library, Maine Branch, 5 Monument Square

3rd Floor Lecture Hall

PCA Great Performances collaborates with the Portland Public Library to present an in-depth book discussion series with Dr. Gerald Talbot, using the text Maine’s Visible Black History, edited by Dr. Talbot and H.H. Price.

Student ticket for Maine and Its Ties to Africa performances are available to all participants in this book discussion series. The Maine and Its Ties to Africa performances include Sweet Honey in the Rock, Daniel Bernard Roumain, and Toumani Diabaté.

Reading Lists, Bibliographies, and Other Literary Resources

Click below for lists of books, web sites, curriculum materials, and other resources related to Maine and Its Ties to Africa compiled by the Portland Public Library, Primary Source, and others.

Portland Public Library Resources PDF

Primary Source Resources PDF

Informative Web Sites PDF

The Artists’ Inspirations

Many of the artists, lecturers, and discussion group leaders taking part in the Maine and Its Ties to Africa series have shared their thoughts about writers, musicians, artists, activists, and others who have inspired and influenced them. Here is a sampling of what these artists and educators have shared with us:

Joan Myers Brown, Founder and Artistic Director, Philadanco

“I have always stayed away from politics, but I guess a memorable quote would be ‘Ask not what your country can do for you, ask what you can do for your country,’” citing John F. Kennedy.

From Langston Hughes—“They’ve taken our music and gone.”

Literary favorites: Maya Angelou; books by Katherine Dunham and Lorene Care

Daniel Bernard Roumain (DBR)

“Langston Hughes and James Baldwin reign supreme.”

“Alice Sebold’s The Lovely Bones continues to have a profound influence on me. I recommend it to anyone, anywhere. Bjork’s Vespertine is the type of album that is timeless and precious and private, much like the artist that created it.”

Dr. Gerald E. Talbot, First African-American Elected to the Maine Legislature

Co-author, Maine’s Visible Black History

Important and influential books include the following:

Hafner, Dorinda. A Taste of Africa

Flahive, Jean Mary. Billy Boy

Cohen, William S. and Janet Langhart Cohen. Love in Black and White

Cohen, Janet Langhart. From Rage to Reason

Dixon, Barbara with Josleen Wilson. Good Health for African-Americans

Stewart, Julia. The African-American Book of Days

Rowell, Victoria. The Women Who Raised Me

Lewis, John. Walking in the Wind

Kenan, Randall. Walking on Water

A War-Torn Love Story

Thursday, January 15, 2009   6–7 pm
Merrill Auditorium Rehearsal Hall
FREE

Soprano Ellen Chickering provides an insider’s view of Verdi’s opera Aida, to be performed at 7:30 pm. Whether singing or lecturing, Ms. Chickering imparts a comprehensive view of an opera within its cultural milieu – and her perspective as a performer.

Singing Songs of Hope and Survival

Sunday, January 18, 2009   5:30–6:30 pm
Merrill Auditorium Rehearsal Hall
FREE

The Windham Chamber Singers’ Dr. Richard Nickerson, a recognized local authority on choral music, will lead a community sing in the tradition of African-American choral music from hymns to gospel and spirituals. He will be joined by a lecturer from the community for an overview of the impact of gospel music. This interactive event precedes the Sweet Honey in the Rock performance at 7 pm.

Acrobatics and Conditioning

January 21, 2009 3:30-5 pm
Portland Ballet Company
$25 registration fee

Gymnasts, martial arts practitioners, and other athletic bodies are invited to challenge their physical and emotional limits. Diavolo’s approach combines athleticism with conditioning exercises that address body toning, injury prevention, partner stretching, and relaxation exercises. Open to high school students and older.

Click here to download registration form

Professional Development for Classroom Teachers

(SOLD OUT!)

Available January 21, 2009 3:30-5 pm
Portland Arts and Technology High School (PATHS)

Diavolo offer a movement-oriented professional development workshop geared to help the teacher take dance and kinesthetic learning into the classroom, bridging the gap between the arts and other school subjects. A professional development workshop, in conjunction with a school performance or an in-school workshop, can be a valuable aid to the teacher in understanding the upcoming performance. Handouts to help take dance and kinesthetic learning into the classroom will also be available.

Call PCA at 207-773-3150 x 227 to add your name to the waiting list for this workshop. The workshop fee is $35 per person.

Classroom Movement Workshop with Diavolo

Available January 21–22, 2009
$350 fee for hosting organization

Founded upon the principles of trust, teamwork, and collaboration using basic trust theater game exercises, this workshop takes dance off of the stage and into the classroom. By class end, children will work together to create a simple choreograph piece. As Diavolo Artistic Director Jacques Heim says, “building a team that allows for complete trust has been essential to creating a kind of work where dancers are inspired to leap, fly, and fall.” Discover the same magic in your classroom through this workshop. Depending on artists’ schedule, as many as three in-school workshops with Diavolo will be available.

Diavolo

Friday, January 23, 2009   10:30 am
Merrill Auditorium, Portland, Maine
All tickets $7

Open to grades 2–8: call 207.773.3150 for details

VERY LIMITED SEATING AVAILABLE, ACT NOW FOR TICKETS!

Click here to download registration form

Click here to download the flyer for our School Time Performances

Led by choreographer Jacques Heim of Cirque de Soleil, Diavolo redefines dance through dynamic movement, creative expression, the inventive use of sets and props, and innovative musical selections. Beyond its spectacular movement, Diavolo uses the kinesthetic power of dance to explore the sciences of the body and physics along with principles of trust, teamwork, and individual expression. Connects to Maine Learning Results in Dance; Science (The Physical Setting – Force and Motion d4) Pre-K–2, 3–5, 9–diploma; and Cross-Content Connections in Health and Physical Education with Math, Science, and Visual and Performing Arts (VPA). A study guide and interactive resources will be available on our website and at iTunes University K-12, coming soon to Maine.

Click here to download study guide

24 Bits Composing Workshop

Available Thursday, February 5, 2009 to music students
$350 fee for hosting organization

Students delve into contemporary composing in this interactive workshop for high school students that uses laptops as both composing tools and instruments. Inspired by Bach’s The Well-Tempered Clavier and Philip Glass’s Music in Twelve Parts, these twenty-four musical vignettes (one in each key) explain, examine, and express aspects of hip-hop music, from rhythm to timbre to form. DBR incorporates his 24 Bits: Hip-Hop Studies and Études, which represent his compositional view – his “take” – on hip-hop music as a point of inspiration.

Daniel Bernard Roumain: A Civil Rights Reader

Friday, February 6, 2009   10:30 am
Hannaford Hall, USM, Portland, Maine
All tickets $7
Open to grades 6–12: call 207.773.3150 for details

VERY LIMITED SEATING AVAILABLE, ACT NOW FOR TICKETS!

Click here to download registration form

Click here to download the flyer for our School Time Performances



Students celebrate Black History Month with this engaging concert that honors two of America’s great civil rights leaders: US Congressman Adam Clayton Powell, Jr. and author Dr. Maya Angelou. Known collectively as A Civil Rights Reader, Daniel Bernard Roumain (DBR)’s original compositions are the foundation for a spellbinding performance by this twenty-first century musical pioneer that includes the actual voices of these American giants in excerpts from their famous speeches and poems. Performing will be DBR along with his quartet, the SQ Unit on the violin, viola, and cello. Dedicated to creating socially and politi- cally conscious music DBR blends funk, hip-hop, and classical music to create a personal sonic vision that critics have described as “revolutionary.” Rich with cultural references, his works range from classical scores and energetic chamber works to rock songs and electronica. Connects to Maine Learning Results in Music a–e; Language Arts a2, d, e, and f; Social Studies Eras in US History; Cross-Content Connections in English Language Arts with Social Studies, Career/Education Development, and VPA. A study guide and interactive resources will be available on our website and at iTunes University K-12, coming soon to Maine.

Click here to download study guide



PCA's School-time Performances are made possible in part with support from Bank of America, the Sam L. Cohen Foundation, Fisher Charitable Foundation, and the Hudson Foundation.

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“What Music Might Mean” Goes the Distance

Thursday, February 6, 2009
Available statewide

Composer-violinist Daniel Bernard Roumain continues PCA Offstage’s commitment to statewide music education and advocacy with participation in the Maine Distance Learning Project. DBR will bring his popular and engaging lecture demonstration “What Music Might Mean” to students across Maine. With excerpts performed from his recent repertoire, this autobiographical lecture/demonstration illuminates his artistic inspiration and contextualizes his solo and collaborative projects. To participate in this program or to learn more about the Maine Distance Learning Project, contact Barri Lynn Moreau at 207.773.3150 ×227 or .

Music, Message, and Community

Friday, February 6, 2009   6–7 pm
Hannaford Hall, USM, Portland, Maine
FREE

Maine composer Dr. Elliott Schwartz exchanges ideas about the inspiration for composing music with composer and violinist Daniel Bernard Roumain, who will take the Hannaford Hall stage for a 7:30 pm performance.

Yo-Yo Ma and the Music of the World

Thursday, February 26, 2009   6–7 pm
Merrill Auditorium Green Room
FREE

Robert Lehmann, a professor at the University of Maine’s School of Music, will discuss Yo-Yo Ma’s program, which includes selections from J.S. Bach’s cello suites. Yo-Yo Ma will perform a concert to benefit the PCA Great Performances endowment just after the lecture, at 7:30 pm.

Ensemble Coaching Clinic with I Musici de Montréal

Thursday, April 2, 2009   Details TBA
$600 fee for hosting organization

The world-renowned chamber orchestra leads this two-hour masterclass for one to three small-group ensembles working on a classical repertoire.

Romanticism and Folk Music

Thursday, April 2, 2009   6–7 pm
Merrill Auditorium Green Room
FREE

Maine composer and music professor Dr. Elliott Schwartz discusses the importance of folk music influences on the works of Dvořák, Bartók, Elgar, and Tchaikovsky, with emphasis on the program to be performed by “l’Orchestre de Chambre” I Musici de Montréal, a fifteen-member ensemble that will perform at 7:30 pm.

Contemporary Ballet Masterclass

April 23–24, 2009   Details TBA
Portland Arts and Technology High School (PATHS)
$25 registration fee

Les Ballets Jazz de Montréal blends dance styles to create an original mix that is vibrant and infused with elements of the avant-garde. While in Portland, a company member offers this masterclass in contemporary ballet. Open to intermediate and advance dancers.

Partnering Masterclass

April 23–24, 2009   Details TBA
Portland Ballet Company
$25 registration fee

Join exciting international dance company Les Ballets Jazz de Montréal for a partnering masterclass that improves dancers’ technique and partnering skills within different dance genres. Open to intermediate and advanced dancers.

Toumani Diabaté: Meet-the-Artist

Friday, May 1, 2009   Time TBA
Merrill Auditorium Rehearsal Hall
FREE

Master artist, griot, and ambassador of African music and culture Toumani Diabaté speaks on the history of the kora, African music and instrumentation, and the background of his ensemble the Symmetric Orchestra, who bring to the modern world a flavor of the Malian Mandinka empire of thirteenth-century west Africa.

Following Africa’s Circle of Music

Friday, May 1, 2009   6:30–7:30 pm
Merrill Auditorium Rehearsal Hall
FREE

The musical influence of Africa has come full-circle with forms such as jazz and blues and even hip-hop, rooted in the African-American tradition, now influencing and being assimilated by contemporary African musicmakers. Innovator Toumani Diabaté and his Symmetric Orchestra – who create music out of west African sounds peppered with jazz, blues, and salsa – are a perfect example of this phenomenon. Join an ethnomusicologist for this trip around the world, following the influences of African music and learn how African music itself has been influenced by the results. Diabaté will perform with his orchestra at 8 pm following this event.

A Pianist from Liverpool

Wednesday, May 6, 2009   6–7 pm
Merrill Auditorium Green Room
FREE

Dr. J. David Ober brings his extensive knowledge of pianists and classical music to speak about young pianist Paul Lewis in advance of the 7:30 pm recital.

Momix: Lunar Sea

“This eye-popping and mind-boggling production suggests that the moon is a jolly place with lots of cool nightlife… everything looks magical.? New York Times

questions for Moses Pendleton

Vermont native Moses Pendleton, creator of Momix and cheographer of Lunar Sea, was kind enough to answer some questions posed to him by PCA. Click the box below to listen to his answers or contact us for a transcript.

Get Flash to hear Moses speak.

supported by

Oceanview at Falmouth Maine Humanities Council New England Foundation for the Arts